This Meditation Cat comic strip skit was initially written by my comedian friend Danny T. Yang. From his experience performing comedy improv, he had an idea of how to write the first draft, and I filled in some of the dialogue to build tension and then illustrated the final version.
We hope you like it!
-If you want to see how it all began, read the first Meditation Cat comic HERE.
-Another popular one is all about When Shouldn’t You Meditate HERE.
This one was a challenge. I hope you enjoyed it.
Figuring out how to expand on Rongo’s meditation needs and make him a superhero without preaching the benefits of mindfulness while also making it fun and funny—not easy.
A shower of thanks goes to the friends who gave feedback and suggestions. Especially to comedy writer Danny Yang, who helped me tie it all up with a nice button at the end where the cops also meditate.
It was an enjoyable challenge.
Thanks for reading!
How do you see yourself? Maybe you don’t think about it all that much. As a cartoonist, drawing a version of “me” for all of you often makes me think about how I come across to the world.
I often feel it doesn’t align with what others see.
Read More
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https://khalidbirdsong.substack.com/
Inspired by a short story of his life in the book Folk Tales of Japan by Kyota Ko.
If you’re interested in learning more about my books and comic strip collections, check out my Amazon author page HERE.
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Cartooning workshops I teach are a lot of fun and ordinarily predictable.
They work how you’d expect. You advertise to a particular age group of kids, that age group shows up at the school or library, and we draw comics together. Everyone learns something new and leaves getting what they signed up for.
It didn’t go exactly this way at the one I taught last week.
I met an interesting man who showed me that sometimes classes might be the opposite of what you're accustomed to, so always be ready for anything.
When I say the class was opposite, I'm talking about Bizarro world opposite.
This particular one was advertised for teenagers—which worried me because I’ve never done one for that age group, and I was afraid they wouldn’t show up—they’re not who I would think would be interested in group cartooning lessons.
Cartooning classes are always packed when I hold them for elementary and middle school age. The younger kids love them! Teenage artists tend to hide away in their rooms or with their close friends.
I remember my mother signing me up for a comic book art class in high school, and I couldn’t wait to go. Classes about making comics were impossible to find back then, so I was definitely going. Of course, I was the only teenager there; all the others were elementary school students, but I had a blast.
Unfortunately, my suspicions about how many teens would show up for my class this time were correct.
I was surprised because I can never get any students I usually teach art to at my school to attend these library events. The first person to walk in was one of my sixth graders, let’s call her Amy, who lives in the area and saw that her art teacher was holding a cartooning class at her local library and was excited to join.
Very cool, I thought. I don’t usually get students I know, so this might be fun and more relaxing than my regular workshops.
I’m always put in a classroom with a whiteboard to draw for the students, but this colossal presentation-style room didn’t have one. Luckily, the kind librarian who invited me found a large paper pad and an easel.
We were off and running!
The only problem, no one else was coming in, and it was time to start. Would we only have one student? A student I already teach?
“Let’s give another few minutes for people to arrive, and I’ll make an announcement on the intercom for the whole library.” said “Judy,” our librarian.
It worked. Gradually people started showing up.
A lovely family with a middle school-aged daughter and an elementary-aged son walked in with their dad, excited to sit down and draw.
Not teenagers, though.
A mom and her six-year-old son came skipping in, ready to draw.
Still no teenagers.
Right before I started the class, a woman stopped at the door with her one-year-old daughter looking in like she was eager to join.
Um, was this for her or her child?
Judy, the librarian, ushered them in and gave them paper and pencils. Maybe Mom likes to draw? Her toddler daughter sat quietly with a pencil in her fist, scribbling along with everything. I guess this is fine.
Not one high school teenager in sight.
I introduce myself and share my Fried Chicken and Sushi book collections and Youngbloods graphic novel. Just as we start getting into how to draw interesting cartoon faces, an older man, maybe in his late sixties, is standing at the door staring inside at us with wide eyes.
He was eager to join the drawing fun and immediately lit up, shouting, “Is this class open to the public?! Is this for anyone?! Can I join?!”
I reluctantly said yes. He wasn’t a teenager, after all. But that didn’t seem to matter today.
Librarian Judy didn’t tell him no; maybe she recognized him as a regular.
The man excitedly shouted, “I normally just come to the library to make copies! I didn’t know they had drawing classes.”
He strutted in, grabbed a paper and a pencil, and immediately sat beside my sixth-grade student, Amy. Plenty of other tables were open, so she was mortified he chose to sit right next to her.
“What’s your name?” He enthusiastically asked me.
“Khalid. Nice to meet you.” I responded.
“Cali? Did you say, Cali, like short for California?!”
“Actually, it’s Khalid. Khalid Birdsong.” I clarified.
My last name caught his attention, “Birdsong! Like a singing bird?! Tweet tweet!”
I forced a laugh and went on teaching.
I wish he quietly listened and followed along with my cartooning lesson, but dealing with his behavior felt similar to teaching six-year-olds. He continually shouted out responses to my drawings and tips throughout the class.
It was difficult to get mad because he was charming and flattering to my artwork, albeit loudly.
“Wow! You’re pretty good at drawing, Birdsong!” he shouted a couple of times.
“Hey, you’re cheating and making this look easy!!”
You know those times when you realize you’ll have to practice patience, and the phrase "grin and bear it" is all you can do? I was deep in the bearing it stage.
When I taught them how to draw characters, he continued to talk and shout his amazement at my drawing skills. Flattering, yes, annoying, most definitely.
The librarian tried to shut him up. Politely.
It didn’t work.
I smelled no liquor, but he still could have been a little drunk. Maybe he was genuinely ecstatic to draw again in a real class environment. We’ll never know.
By the end of the hour, he was eager to come up and look at my books and original art. I appreciated his interest and kind words, but it made giving time to the other students difficult.
He gave me his drawing, and it was pretty good. Perhaps he enjoyed drawing at one point in his life and gave it up or lost interest at some point.
The mystery man’s actual drawing from class that day.
I know I’m tall, but I didn’t think I looked as big as he made me in the drawing. I look super huge!
He didn’t put his name on it, so I told him an artist has to sign their work before giving it to someone. It looks like his goal was to stay anonymous because he only signed it as Doodlers 7575. Maybe he somehow knew he’d make an impression on me, and I’d share this story.
When he was ready to leave, he walked towards the door and shouted an enthusiastic farewell.
"Hey, Birdsong. Keep TWEETING!"
I smiled and gave him a nod. My cartooning workshop for teenagers without any teenagers turned out alright.
Definitely, one to remember.
Even though I was having fun sharing about this unique class experience, I wanted to make sure to thank all the librarians and schools who’ve invited me to teach cartooning to their students and communities.
It’s one of my favorite things I get to do, and I’m blessed to have people who believe in my work and the power of visual storytelling.
This article originally ran in my Substack email newsletter, A New Creative Life.
You can join us by CLICKING HERE.
A new Honeybuns comic about adventure with a purpose.
The Honeybuns and all characters ©khalid birdsong 2023
Happy Easter to all who celebrate! It was fun making Baxter and Isabel dimension-hopping Easter bunnies.
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A cute comic about discovering deeper meditation.
Creating this story was a fun way to see if I could illustrate a cute character and also turn an article I wrote into a comic. I'm not sure if Rongo, which is a word from New Zealand's indigenous Maori people that means peace, will become a recurring character, but I enjoy drawing him.
It was so enjoyable I’m putting it out there as a practice for you too.
It could be several panels or something short, like a one-panel cartoon similar to the ones you see in The New Yorker. Even if you’re drawing stick figures, see if you can bring your writing to life or something you just went through yesterday with visual storytelling in a sketchbook or journal.
If you’re interested in meditation, here’s the article I wrote in the publication Publishous on MEDIUM.
Photo by Ashley Batz on Unsplash
Getting up in the morning feeling nervous or upset about everything waiting for you in the day ahead can feel overwhelming.
I’ve been meditating for over twenty-five years and have always looked for simple ways to think about the practice. So many people tell me they can’t figure out how to do it or get to a place where they notice the benefits of being mindful.
I watched a powerful video by Dr. K on YouTube, or Alok Kanojia, a psychiatrist and co-founder of the mental health coaching company Healthy Gamer that stuck with me.
In the middle of “Why Finding Purpose is SO HARD today,” he explains about the concept of reaching the “end of thought.” I had never heard this concept before, but when he shared about it, I could finally put into words how to succeed in explaining the benefits of meditation.
Let’s go through the steps he talked about to reach this enlightened place.
You can meditate traditionally with your legs crossed, sit in a chair, or even lie on a bed. Start breathing in slowly and deeply, paying attention to the different parts of your body one at a time.
It doesn’t have to be only while you’re sitting and not moving.
If you want to be mindful while taking a walk or even drawing, it’s possible if you intend to make the time to connect with the real you and avoid distractions.
“Get away from external stimuli so you can hear your inner voice.”
-Dr. K
There are several phases of awareness that will move you through to reaching yourself.
Most of your thoughts will first be related to something that’s irritating you or about what you want right now that’s outside of yourself.
Something you’re told should matter.
Mainly stuff you want to do today or think you need to possess, eat, play, or earn to make your life happy—aka desires!
After all of your desires filter through, you’ll feel like you’re left with nothing but sitting there.
Bored.
Many people who try meditation give up on this part. They think, “I can’t meditate. It’s too damn boring!” Or, they think they’re doing it wrong and should be receiving some sort of divine guidance or inner glow after a few minutes of sitting and breathing.
Remember, boredom is your brain trying to get a hit of dopamine or excitement so that it can have fun again. Don’t let it stop you. Let boredom sit there and be bored.
Stay with yourself and give the emptiness time to just be. Don't get up.
You’ll notice your thoughts moving quickly at first and then start slowing down.
If you’re still sitting with yourself, you’ll reach a place where all the other thoughts cease, and as you keep breathing, you’ll meet your true self.
When this happens to me, I notice a feeling of calm, and I even say hello to the real me. The me that’s not manipulated by what the outside world says I should want or do.
It’s lovely.
How long it takes to reach the end of thought depends on how much is going on in your life and how often you meditate.
I find it takes me around ten minutes to get there.
Not as long as you might think, huh? The nice thing is that you want to stay for a while once you get to that place within yourself. It’s comforting to sit with who you are and be at peace.
I look forward to it every morning.
If an emotion comes up, you can feel it intensely and let it dissipate when it’s done showing itself to you. Your shoulders relax, and you become more aware of your body as a whole.
With your quiet connection to yourself, you’ll start to hear only your internal goals speaking.
Anything that’s important to your overall fulfillment will come into your mind. The values that are important to who you are will be easier to notice and remember.
All the distractions are gone, so you can find out what it is you really need.
The hard part will be accepting what your true self is telling you.
One of the greatest benefits of meditation is the ability to tap into yourself and see what you need in order to be fulfilled.
Not what your parents want you to be. Not what society says you should be.
What do you truly want and need to be doing during your time on this planet? You might be surprised at what you hear.
Meditation helps you become aligned with your personal life goals. Once you know them, you can do the things you need to pursue and reach them.
Anytime you get distracted by external messages, remember to sit with yourself and tune in through mindfulness. You can always find yourself with a little quiet and patience with the present moment.
Dr. K talks about how people are always looking for the reason why human beings are here. What’s the meaning of life?!
“The purpose of life is not in life, it’s in you.”
-Dr. K
It’s all inside of you. Stop looking for someone to tell you what your purpose is and find it in yourself. Then, decide to take the real you exactly where you need to go.
Try meditating again today — maybe after reading this article — and sit for a long enough time to find where your thoughts end and your true self begins.
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My caricature of artist Jean-michel Basquiat.
If you love something, let it go.
You’ve heard the saying. It doesn’t have to be forever, though especially when it’s a hobby or skill you love dearly.
I’ve been drawing all my life (at least since I was three years old), and it’s a skill I’ve worked hard to develop. Unfortunately, I still feel I’m not good enough compared to other talented artists I see online.
I feel like giving up.
I’m forty-seven, and everything I’ve worked hard for in art hasn’t gone as far as I thougth it would career wise. Making comics, drawing a comic strip syndicated online for seven years, and even freelance illustrating have only taken me so far.
I know I should stop, but I can’t.
Actually, that’s not totally true. I’ve met people who were smart enough to try making art or cartooning a career and then let it go after years of letdowns. They moved into something else more profitable and never looked back.
Being one of those people is so hard for me. Is it because I’m stupid?
I want to think it’s because I still enjoy making art. The consistent work you have to put in practicing techniques feels good when you see yourself improve.
The whole “Journey is more enjoyable than the destination” thing should be what we focus on more than money.
But what if you don’t care about creating your art anymore?
Giving up feels good. Making your passion less important in your life can relieve creative stress and expectations. There’s beauty in letting it all go.
If, after a few months, or maybe even years, you feel the pull to create again, maybe your love of the art is more a part of you than you realize.
You can always start it up again and slowly and gently add more time into your schedule for creation.
There might be times in your life when it’s harder to make your art. Like when your are a parent of a young child or you’re adjusting to moving to a new city.
When I lived in Japan for two years, I barely drew anything. I didn’t open up a sketchbook, and I rarely drew any comics. Do you know what I did do, though? I learned to speak Japanese — which takes a lot of time and effort, let me tell you. I dated and met my wife. Spending time with someone special takes effort and dedication. Giving time to explore a new country, culture, and relationship was some of the best times I’ve spent in my life.
And I wasn’t drawing or writing. I was too busy living.
Towards the end of the second year, I started writing the script for my graphic novel, Tales of Tritoria: Youngbloods, and it was refreshing to spend some of my time in creation mode.
I didn’t start drawing pages and going all in on the production of the book until I moved back to the states. Yeah, it took me a few months to get back into the swing and stamina of drawing comics again, but the time away was worth it.
I felt refreshed and excited to produce comics again. All I needed was a break.
“What if I give up, and then my type of art becomes popular? I’ll miss opportunities?”
I doubt that.
Number one, you will have work you’ve done in the past you can pull out and sell or share. Number two, timing is something you can’t predict. The right time period in your life, combined with trends in the market, could be in your favor.
You never know. That’s why focusing on doing something you enjoy is the key.
The International Society of Caricature Artists (ISCA) holds a challenge in January called Caricature Resolution with a list of names of famous people each day you can choose to draw from.
Today’s person, for example, is 1980s Neo-expressionism artist Jean-Michel Basquiat.
It took me several tries to get closer to his likeness. At first, I tried different head shapes and placement of the eyes and mouth. You get the sense of him, but in my opinion, they didn’t have his likeness.
A lot of times with caricatures, you have to try different combinations until you get it right.
THe real basquiat for comparison.
I’m still working on getting better at drawing the likeness of celebrities, and it’s even harder than you might think. I’ve studied books, my favorite being Tom Richmond’s The Mad Art of Caricature, and watched several videos on YouTube to brush up on my skills.
Twenty years ago, I lived in Orlando, FL, and worked as a caricature artist for a small company set up in hotels and special events. All of this while starting to teach elementary school Art during the week.
I was just okay at it. You have to move fast and draw people in three to five minutes, then, I used watercolor to finish them off, and it was truly a challenge.
Sometimes people like how you draw them, and sometimes they don’t.
You grow a thick skin, but mine didn’t thicken up enough. I got tired of the demands of live caricatures and gave up after two years.
I wish I had continued. My drawing skills would have grown so fast, and who knows where it might have taken me. I never worked in Disney or Universal Studios theme parks, but that would have been the ultimate challenge.
My eyes were on making comics and publishing. Funny enough, most of the freelance work I get now comes from caricature illustration.
I’m looking to do more practice work in 2023 for art that generates more income for me.
Caricature is that art form. Why fight it?
I’ll keep practicing regularly.
Don’t say you’ll give up forever.
Making a living solely from art is extremely difficult. If you tried it and you got burnt out, take a break. Try art directing or going into a completely different field. You can always create art in your free time when you want to get back into it.
There may come a time in life when opportunities open up again for you to get paid, and you can jump back in with both feet.
There’s nothing wrong with seeing your art as a life long pursuit. You can create until you die, so why rush things?
I’m doing everything possible to keep the caricature practice light and fun. Improving is definitely a goal, but I don’t have to be pro level anytime soon.
The real actor grace kelly.
the real malcolm x.
Who knows, in time, I might try getting back into live caricatures again. The thought of drawing people in person with everyone watching seems scary as hell right now. But I’ll go with the thought.
At some point in the future, it might be nice to have this skill to have fun and make money when I can.
If you’re tired and run down from not getting where you’d like with your art, take a break and give yourself time to see it in a different light.
Your passion will be waiting with open arms when you’re ready to return.
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Would you freak out if you saw a raccoon calmly sauntering its way through the ticket gate to the subway? Almost like it does this every day.
Just an average day for a busy tanuki.
On September 2nd, a little furry commuter was seen at Shinjuku Station in Tokyo, Japan, walking in amongst thousands of other people on a busy Friday evening.
In the photo above and video below, you can see it even had its own personal usher on hand, a station employee clearing a path for it and ensuring passersby gave it personal space. Even though it was treated like a celebrity — it was only a wild tanuki.
JR新宿駅構内にタヌキがいた。 pic.twitter.com/2veMxdtvz1
— CORE Kaopy (@core_kaopy) September 2, 2022
A reader of my Little Fried Chicken and Sushi strip shared this story with me in the comments on the GoComics site, and it got my imagination racing. A tanuki is thought of as a magical creature in Japan that can shapeshift and play tricks on people. Was there a spell involved in this encounter?
I love having Tanuki as a character in my strip, and this event brings the idea of an animal doing human things to life in a new way. Some might have wondered if this raccoon forgot to turn itself into a salaryman to blend in. Maybe it uses the train regularly to get around Tokyo?
The Shinjuku train station it was spotted in has a mascot of a Tanuki with a white swirl on its belly. The mascot’s name is TanuTanu. Was this the real thing?
An advertisement for TanuTanu the subway mascot.
No one was sure about where the Tanuki came from, but it was spotted at the station around 9:30 p.m. The staff guided it from the platform, and the animal went up the stairs and towards the New South Exit, where the video was taken. Then, it walked through the ticket gates and disappeared into the night.
We’ll never know what the Tanuki was up to, but it sure seemed comfortable in its surroundings. Not scurrying away, frightened of people, makes you think it does this often without much fanfare.
The city must be a tough place for a raccoon. I’m glad the station attendants helped him get where he needed to go.
It’s similar to the time Tanuki started working an office job. It didn’t last too long, though.
P.S. If this was indeed “the” TanuTanu mascot, spirit of, or a real magical tanuki on his way home from a long day of work pretending to be human, it stood out. Still, it was ultimately accepted by the people all around.
The video and news reports didn’t talk about people running away from it in fear or getting scared because a wild animal was walking next to them.
As a human being, a black male, who gets stared at, surprises others by being a tall foreigner on the train and sticks out just about everywhere when I’m visiting Japan. I’m not sure how to feel about this. A wild tanuki in the subway station is unique enough to make the news, but it doesn’t shock or get people’s attention the way a person who looks different can.
Sometimes, I wish I could shapeshift into a tanuki, ride the train with help from attendants, and everyone thinks it’s so cute.
Am I jealous of TanuTanu, the raccoon? Not really. Maybe a little envious, though.
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©2022 Khalid Birdsong
My daughter couldn’t stop coming to sleep with my wife and me in our bed every night, even when she was nine years old.
Nothing we tried to keep her comfortable in her bed all night worked. We spent time reading and singing to her before going to sleep—even falling asleep with her and then going to our bed later.
Anything we could do to make her feel at ease and comfortable, we tried it. She had stuffed animals and dolls that helped a little, but still not enough to keep her in her own bed all night.
I’m unsure if she was anxious or truly wanted people with her all the time because it felt more comfortable. When we visit family in Japan, she sleeps on the tatami mat floors on futon mattresses with family members next to her.
Traditionally, this is how most Japanese people sleep, all together in one room, even though beds and separate bedrooms for kids are becoming popular.
I have no problems with her loving sleep time with family; I think it’s adorable, but our bed is only so big when we're in America. I’m a tall guy and need space to sleep deep comfortably.
When my daughter’s in with us, I end up pushed to the edge of the bed with my body forced to stay stiff as a board. My wife and I usually wake up the following day with neck pain.
All this wasn’t so bad back when she was three, but a growing nine-year-old did not give her parents enough space to sleep comfortably. Plus, I firmly believe she needs to soothe herself by learning to wake up in the middle of the night and get back to sleep without help.
Something changed when a baby Yoda toy arrived in the mail.
I was obsessed with The Mandalorian series on Disney plus, and my daughter got pulled into it, too, mainly because of Baby Yoda. Yes, I know his real name is Grogu, but I’m not a fan of it.
It seemed like forever for them to make a toy version, and as soon as pre-orders were available, I put my money down. Several months later, we were pleasantly surprised with our Baby Yoda. He makes cute sounds when you squeeze him and truly is super cute.
My goal was to have him as a collectible toy, but my daughter was so excited that she started asking to carry him around and play with him. Pretty soon, he became the most popular toy in the house. So much so that we gave him a name.
Earl.
Maybe to you, that’s no better than his real name, Grogu, but we love calling him Earl and, as crazy as it sounds, started having fun acting like he was a part of our family.
Earl popped in for a visit.
Naturally, my daughter asked if she could add Earl to her stuffies on her bed and sleep with him there too. At first, I wasn’t too keen on the idea. This toy was supposed to be for me and something I would keep in decent condition. But after a couple of days of begging with puppy dog eyes, I gave in to her.
Thank goodness I did.
She cuddled with Earl at bedtime and went right to sleep. I’m not sure if it’s because of the toy’s size, shape, or the fact that we pretend he’s alive for fun at home, but my child’s been sleeping through the night on her own for several years now.
My now twelve-year-old daughter admits to needing Earl with her to sleep well at night. She’s not ashamed of this at all. We take him with us on trips and even to Japan.
Even though we’re thankful for her little green, pointy-eared security blanket, I’m pretty sure she can sleep well without him at this point. She just enjoys having a little buddy with her for that familiar feeling of comfort and safety. I get that.
It’s cute how Star Wars fandom has helped my parenting. Not to mention adding good vibes to our home and family relationships.
I’ve learned the power of staying open to receiving assistance from the unlikeliest places. You never know what will make a difference to you and your loved ones.
Let it in and let it flow.
We talked in a previous post about how planning to submit your project to a publisher or online can help give you the energy to get work done. But what if you need something to motivate you to start the kind of work you do?
This is about more than just your “why” reason for doing what you’re doing. Even if you’re solid on your intended outcomes, you might not feel like making stuff for a day or several weeks.
You can easily lose motivation.
Knowing how to pull yourself back into creating again is what I’m talking about in this case. You don’t need a baby Yoda toy to hold when you’re feeling lazy, but having something similar, like a way to inspire yourself or a system to follow that gets you going again, is vital.
Planning time every Saturday morning to work on your personal project for two hours, for example, is an excellent way to make it actionable. That’s how this newsletter gets done. I think, read, sketch, outline, and plan here and there during the week, and on the weekend, I put in the time to finish it.
I love this schedule.
Perhaps many things exist that can keep you going each day and pursuing what you love. If you haven’t found them yet, keep trying new techniques or hacks. Don’t give up on your motivation.
I have something to look forward to with this weekly newsletter and feel a sense of accomplishment finishing creative work I hope inspires you.
Thanks for being a part of this creative journey.
Illustrated by the author. ©2022 Khalid Birdsong
Last week, I took my twelve-year-old daughter to her first big-time concert.
For their Never Ending Summer Tour, we saw the uber-popular group OneRepublic at an outdoor venue—much safer being amongst the fresh air during covid times.
With hits like “Stop and Stare,” “Counting Stars,” and their latest “I Ain’t Worried (from Top Gun: Maverick),” we had a phenomenal time. They put on a good show.
I didn’t know that the lead singer, Ryan Tedder, writes songs and has written hits for all kinds of artists. The group spent twenty glorious minutes playing short versions of some of the songs he wrote. Like “Halo” by Beyonce, “Love Somebody” by Maroon 5, and “Rumour Has It” by Adele.
Spending the concert in a section far away, I watched most of it on the jumbotron screens where they did a good job filming all the action on stage. They also turned to the audience on occasion.
Cameras zoomed in to a part of the crowd cheering and dancing, and everyone was ecstatic except for one guy in the middle standing there stone-faced.
No emotion, no excitement.
Perhaps he was tired or didn’t want to be there. His partner or friend could have forced him to go when he’s not even a fan—come on, we’ve all been there.
Or, that’s the way he has fun. This guy doesn’t need to smile, dance, or scream at fun events like an awesome concert by one of the biggest bands in the world.
No. He’s fine, just standing there stoically, spacing out.
Could it be we all experience fun and excitement differently? His insides might have been poppin’ with joy and grooving to the beat. He doesn’t need to move. Staying completely still may be how he feels more enjoyment. Is that so wrong?
I wish I could be as comfortable as he is showing and being whatever he’s feeling at the time. It shouldn’t matter what people think.
I enjoy making other people happy. Heck, that’s one reason why I’m an art teacher. The joy on a kid’s face when they discover how a new painting technique can make their art look more real is fantastic.
Helping others succeed is joyful to me—another reason I love writing this newsletter and sharing what I’ve learned from living a creative life.
I’m a people pleaser.
Everyone isn’t. My daughter likes doing the right thing but isn’t concerned with people pleasing. She won’t pretend to be excited about something just to make another person feel better. I was concerned for her, but now I see that she doesn’t need to be like me.
Making sure she’s kind and polite is definitely part of my job, but overall, I should let her do what feels right.
Maybe growing up with divorced parents or being the oldest child shaped me into this person, but it’s hard to deny. I’m happy being a people pleaser and teaching others to create and hopefully smile.
At the concert, everyone stood up when OneRepublic first came out and never sat back down. After a summer off, this concert was in the middle of my first week back at work. I was tired.
You better believe I sat down on the grass and stayed there for the entire time. I danced while sitting and had an amazing time.
I didn’t feel like people pleasing by standing up so that the friends who came with us or the other fans surrounding us would be happy. I wanted to listen, enjoy, and rest.
My daughter stayed standing and enjoyed every minute. Good for her.
Your job may make you dress a certain way or wear a uniform while at work. There are written and unwritten rules of society we have to follow.
On those rare occasions where you can decide how you will show up, make it a way that feels authentic.
I’m not an expert at noticing these times yet, but I’m improving. At least, now, when I’m invited to party or get together, or even when I’m getting up in front of my students in an art class, I realize it’s my choice how I present myself.
Normally, I choose the fun-loving playful artist persona, but if I’m feeling down, it’s okay to show that too. There’s no need to fake it to make others happy at all times. I don’t have to be the person they expect every time. And that’s fine.
I just thought of something.
What if the guy who looked upset at the concert was that way because he just noticed the camera was on him and then froze? After it switched to somewhere else, he could have started dancing and jumping back to his usual fun-loving self.
He might hate when people put cameras in his face. Who really knows?
Either way, learn to do you.
Who cares what people think? Especially at a concert.
P.S. We just had a teacher work week before starting a new school year teaching middle school. During one of our faculty meetings, we all sat in a circle, sharing how we felt about getting back to work. Many people appreciated having such amazing coworkers, and others were impressed with how safe they felt to get back on campus during the pandemic that will never end. I shared feeling more at ease than I have in several years. Partly thanks to vaccines and having students back on campus instead of teaching on video via Zoom. Getting back to being in my art room and knowing how to teach within it, even if I’m wearing a mask, is something I did last year, so it’s familiar territory. I’m not as concerned with what will come, and confident I can make a creative and warm atmosphere for my students. I see now how life and work experience can help you feel at ease with being yourself.
New ideas can be fun, but that doesn’t mean they’re good. © Khalid Birdsong
Mastering getting creative work done is one thing, but what happens if you don’t even know where to start?
Coming up with new ideas can be challenging.
Most people don’t have a magical Japanese Tanuki raccoon by their side to help them brainstorm. Fear not. You can always find inspiration in the world around you, the books you read, the shows you watch, and even in discussing current events with friends. When you expect to be inspired, you’ll look for exciting themes and discover ideas around you.
Okay, maybe it’s not that easy. Here are a couple of techniques I use to get inspired.
Free association can be a fun way to spill everything in your head and make connections by writing words and sketching them out in your notes.
Free association in psychology refers to a process of discovering your genuine thoughts, memories, and feelings by freely sharing all the seemingly random thoughts that pass through your mind. Usually, you are given a prompt like a word or image without context then, you say what it makes you think of. The person leading the exercise tries to create links between the prompt and your response to learn about how your brain makes connections between ideas.
Sigmund Freud was the first pioneer of the psychoanalysis technique of free association. Freud worked on developing this technique further between 1892 and 1898. This new method became a cornerstone of psychoanalytic therapy. Freud based free association on the theory of psychic determinism that informed all his work.
My way of doing this involves sitting down at my drafting table, staring at the wall, and writing down whatever comes into my head—even if it’s unrelated. For a project where I already have characters, like my Fried Chicken and Sushi comic strip, I might have one character in mind, like J, and throw out words that come to me when I think of him.
Some people say it’s crazy, but I also like asking my characters what they want to do next. I’ll often start sketching them in various poses, doing different things like cooking, playing sports, or dancing. Eventually, they answer me, and new ideas for strips emerge, sometimes quickly, after a lot of random writing and drawing.
If you’re trying to write a new story idea from scratch, you could pick a word for something you’re interested in, like football. Write down all the words that come to your mind to describe the game of football and what it means to you.
Can you create a character that wants to play football but can’t, or they only focus on becoming the best player in the world and neglects other essential parts of life?
Like Tanuki stated in the comic above, combining random ideas is fun, but a story is only interesting as long as there’s conflict.
This leads me to my next point.
Add opposites for conflict and contrast.
Anywhere you can put a character with an opposite personality to another, something that feels opposed to everything in the world you create, or an opposing view to the points in an article you write is compelling and will create even more ideas.
I’m still working on getting better at this, but whenever I’m stuck on an idea, whether writing or drawing, I go back to opposites.
Take two things you’re interested in and add something opposite.
Why? Putting two things together is easy but doesn’t make a story. Adding an opposite element to your idea gives natural conflict and possibilities to electrify your new project.
I made this comic by using the brainstorming technique with Tanuki above. © Khalid Birdsong
For example, say you’re interested in writing a fantasy short story. You think firefighters are incredible, and you love magic. Firefighters put out fires. The opposite could be a firefighter who starts fires. Or one who can start fires with magic. Is he doing it to give firefighters something to do? Is he crazy? Does he want to watch the world burn? In what kind of world are they living?
You see, just these three elements have me exploring questions and figuring out a world. Coming up with ideas isn’t as difficult as you might think. I bet you can create impressive new concepts with the above methods. The challenge is deciding which ideas are the best for you to take seriously and then start working on them regularly.
Choosing ideas to commit to long-term is a challenge we can discuss in a future post.
Stay tuned.
This post is from my weekly newsletter. I only share some of them on this website. Subscribe to A New Creative Life on Substack right here.
Photo by Kaizen Nguyễn on Unsplash
“I don’t need to practice [insert art skill]. This is just my personal style.”
How many times have I heard that from my art students? Way too many times.
If you want to get good, you have to learn to love practicing the fundamental skills of your craft when you’re young. Whether that’s in visual art, music, sports, or, yes, even writing.
It doesn’t get easier with time.
Getting good means knowing what good means. And that takes experience.
You learn by growing through repetitive practice in stuff you, at a young age, can’t see as important right now. Passing your lack of experience off as a style trait is lazy and misguided.
When you’re in school and even into your twenties, you have more energy than you know what to do with. Why make excuses for putting in the work as a creative? I bet it’s because you don’t have a coach riding your a$$ every day to write for two hours, or practice drawing portraits.
You can bet athletes hire or must attend a certain number of practices each week to stay in shape and keep their sporty skills in tip-top condition. I also bet there’s no way they would practice that much without someone holding them accountable.
But what if you can’t hire an art or writing coach? You’ve got to be the one who motivates yourself to keep going no matter how old you are.
Once you get decent at the basics, we can talk about flipping them on their head and claiming you can practice less because it’s your style. At least, that’s what I say when teaching art to middle school students. They want it to be easy right now, and it doesn’t work like that, unfortunately.
You may even be older and know how important it is to practice but still can’t get yourself to work on the boring stuff you know will grow your skills.
One thing young people don’t understand is how heavy responsibilities, like raising children, and dealing with surprise health issues, not to mention being just plain tired, make it so much harder to put in time practicing skills as you age.
No worries. All it takes is a mindset shift and a little creativity. Treat it like you’re young—fresh-faced and open to discovering more of how basic skills can improve your work.
You don’t have to love practicing the fundamentals, but you have to work on them regularly to improve.
Here’s what I tell young creatives that can also help my over-forty crowd, who need help consistently doing the things to improve their work.
Creating your art, drawing or writing should be something you enjoy no matter what, right? I’ll give you a hardy WRONG on that one! Yes, making whatever you feel like when you’re in the mood is enjoyable, but if you want to improve, you have to work even when you’re not feeling it.
Gamify your practice times to incentivize learning the boring stuff that makes you cringe. Use your creativity to make learning the basics fun, and it will be easier to want to sit down and get to work.
Let’s say you need to improve your skills in drawing hands, and what artist doesn’t? You sit down and challenge yourself to draw five hand gestures in your sketchbook in twenty minutes. Set a timer and see if you can beat it.
Figure drawing practice within thirty minutes.
Even if you’re practicing playing scales on an instrument—not the most fun activity but important—use a similar method. How many can you do in a limited time? Can you play them in several different rhythms like a song?
Becoming a better writer takes, well, writing often. Challenge yourself to see how many days a week you can write for a specific amount of time. Try one hour a day at the same time of day. Or, give yourself a word count, like 500 words each day, mark a calendar when you complete them, and on Sunday, see if you’ve won.
The act of spicing up your fundamentals will help make sitting down to do them more fun. Unfortunately, gamifying is not enough. Naturally, we all want something when we win.
When you reach your gamified goal, reward yourself with a treat — whatever that is for you. I love eating chocolate chip cookies. Sweet treats are a solid motivator for me, and I feel like I truly won an award when I get a treat afterward.
The other day, it was hard for me to focus on writing. So, I got some of those Mini Chips Ahoy cookies as motivators. They’re small so I could eat one after ten minutes of writing. Chewing on it with a smile as I write more, then after ten minutes put another in my mouth. Writing and eating treats as I go.
Not great for my waistline, I know, but I got through finishing an article. And drank a big glass of almond milk after.
You may decide you can’t watch your favorite TV show until you’ve drawn something for an hour or two. Pick the things you really do not feel like practicing, and add your best reward treat to completing them successfully.
I enjoy knowing I can draw whatever I want if I put in a certain amount of time on fundamentals. That could mean drawing three figure drawings, then a funny cartoon character.
The harder and more boring the skill, the better the reward. You’ll be getting fundamental practice easier and more often.
Drawing bunnies is a lot of fun after figure drawing practice.
If you’re dedicated to your chosen art form, you must learn to work with the difficult and boring parts as well as what’s enjoyable. They do go hand in hand. Even if you’re doing it mainly for fun, you’ll want to get better, telling yourself improvement doesn’t matter is a waste of time.
When you get up to go to work or school, you have to mentally prepare for the day. Why? Because it’s important. You know there will be a mix of great and not-so-great, but you take it on as a part of the experience. Do the same with your art and creative work.
Know it will be hard at times, especially when you’ve got family or health challenges, but the hard stuff makes you better and pushes you ahead. If it feels too easy, too fun, you’re probably not growing. Look for the obstacles. Find ways to work on the difficult parts because you know you need it to improve.
Doing this sort of mind shift, especially when you’re young, will help you make it a habit you continue into older age. You set a precedent that growing as a creative person takes doing the parts you enjoy and the parts that help you grow.
Trying to get yourself to do what you know you must when you’re older is harder. You become more set in your ways, and life responsibilities make it easier for you to make excuses not to create. When you have a mindset of creating regularly set in your brain, getting started, even if times are tough, is easier.
When you seek out creative challenges, find fun ways to work on them regularly, and reward your accomplishments, the boring stuff won’t be boring anymore.
Want more? If you’re struggling with doing original work, click here to join my (free) email list, and through comics, articles about culture, and living your truth, you can upgrade your mindset and share your art with the world.
Illustration by the author.
Writing only for money is a waste of time.
There’s nothing wrong with wanting to earn dollars for your articles or sell millions of copies of your book—it shouldn’t be your main goal, though.
As a writer, teacher, and cartoonist, I’ve spent the past twenty years making money from what I love and also putting a ton of creative work out for free. The free stuff I shared was more fun and fulfilling than when I was paid mainly because I could do what I wanted and didn’t have to worry about pleasing anyone.
Rarely was I able to mix making money with something I had a passion for, like my comic strip Little Fried Chicken and Sushi. The strip started as a free webcomic about my experiences living in Japan, and I posted it online for four years, then it got syndicated online by Andrews McMeel Publishing.
Creating the comic was a labor of love, and I enjoyed the freedom to write my story and characters however I wanted. The delightful combination of writing and drawing together, which every cartoonist loves, stayed for many years, even with a wider audience reading.
I learned what it takes to consistently create content every week for years. One thing always rang true—you can’t only care about making money. Here are several ways to focus less on your bank account and more on the pleasure of writing.
You get more out of it when you write for the joy of writing. Even if you’re someone in dire straits, who must get paid asap, get a job, any job to help pay your bills, to keep that joy alive while writing on the side. Don’t worry, your creativity will keep on popping.
Art is about creating for the sake of just that, creation.
We live in a time where you have the ability and means to create because it’s fun. There are still plenty of places on this planet where people are struggling in their living conditions or are in the middle of surviving a war.
If you’re reading this, there’s a good chance you have the opportunity to make stuff where and when you want. People in your family tree are smiling at all they worked hard to accomplish so you can have the freedom to write.
Work a job, write on the side until something connects with readers, and you can eventually leave it if you choose.
You’re not alone as someone who wants a successful career as a writer. It’s not uncommon for literary agents to receive anywhere from five thousand to twenty thousand query letters from authors seeking representation for their book manuscripts each year. Only a handful make it to a release through a major publishing house.
I’m not saying this to bring you down, just to throw a dose of reality onto your fire.
Whether you’re a successful writer or not, you will continue writing. I’ve had ups and downs, and still, I draw and write every day. Writing articles like this one feels good, and I also enjoy laughing when I finally come up with a funny gag for a comic strip.
I have a relationship, or marriage, with my creative interests that will last no matter how well I’m doing financially. I’ve been broke making my art and also know what it’s like to get a salary from making my art.
Both situations required I work continuously on improving my skills by doing the work. You’ve got to find the fun in creating daily to keep going even when times are tough.
Writing for yourself is fine, and if you’re working on a novel, it can be pretty rewarding. Creating stories that inspire others or articles to help people learn and grow in their lives can bring more fun to your writing practice.
Putting your work out into the world for free as often as possible will help you get noticed. When you inspire others, bringing value to people, even one person, you will reap the benefits.
Sometimes, it’s just one thank you email response or comment on your article from someone you helped. You’re instantly connected and feel a sense of true purpose. So, it’s not always money that motivates. Glowing with the knowledge, you helped another person—or thousands—get what they want out of life or feel more a part of theirs is transformational.
Not everyone can buy your books or pay to read what you’ve written online. Thanks to the internet, giving it away for free online makes it accessible to all and can reach more people who need your words.
You’ll be surprised at how much helping others helps you.
I hear creatives whining about how difficult it is to write. If it’s so hard, why write at all? You could be watching TV or playing video games.
Could it be writing helps you feel better? It helps you process events in your life and understand your place in it? Maybe that’s a good reason to push through the pain of a problematic article draft or the frustration of a paragraph not coming together how you hoped.
Writing puts the pieces together in your mind and can mend your heart.
Does this sound like something that needs money to be worthwhile? You, putting your whole self into what you create makes it special.
Creating is never a waste of time, no matter how disappointed you may become with your results. You may think burnout or giving up on writing happens when you work too much. Actually, investing emotionally and then not getting a return on your investment is the problem.
When you can accept your mental healing as a valuable return, your fulfillment for helping others, and enjoyment with the process of writing as payment for your time, you’ll feel more satisfied.
Did you notice I didn’t highlight much about how writing all the time helps your skills grow? I’m sure you already know. Actually, it could be a whole article of its own. If you want to get better at something, do it every day. One more key to add is to do it with the intention of getting better.
And you will.
If something you wrote takes off, garners millions of readers, and makes you boatloads of money, magnificent. The rewards will taste sweeter because you know you did it for love, not money.
Want more? If you’re struggling with doing original work, click here to join my (free) email list, and through comics, articles about culture, and living your truth, you can learn to share your art with the world.
All illustrations by the author.
Do you have fun practicing the art you love consistently?
Scheduling time daily to sit down and write, draw, or even paint helps you turn it into a regular habit. Doing what you love whenever you feel like it doesn’t.
Even though I know to make it into a routine first, so my mind and body expect to create every day, I don’t always follow that advice. I’m fully aware if your goal is to improve at playing the piano, you know regular blocks of time tickling the ivory is how to grow as a musician.
If you’re trying to draw more, let this article be the reminder you need to get back on the horse.
How can you get excited about getting started, though? If you’re an artist, growing your drawing skills takes work. You know, focusing on the fundamentals, like figure drawing, anatomy, and portraiture, is essential, but maybe not all that fun.
I hear you. As a cartoonist myself, drawing funny faces and cute characters was what I was all about.
Who has time for drawing a bunch of realistic faces?
I had to accept; I most certainly should make time for it if I wanted my art to grow. The dream of filling up sketchbooks with beautiful examples of my artistic explorations has always been a dream, one I never thought I’d reach.
Taking an online class for portrait drawing via Domestika helped jolt me into committing to growing through sketchbook drawing, and I’d like to share some of what I learned with you.
You can choose all kinds of sketchbooks—large-sized ones, small enough to fit in your pocket. The ring-bound ones drive me nuts because rings on the side get in the way of my hand while drawing. Even turning the book to the side doesn’t feel right.
Everything got better when I discovered hardback, book-like sketchbooks. You can open them and lay them flat to draw across two pages or focus on one. I always feel more like a true artist when I pick it up because it looks like an actual book.
Staying on top of contributing drawings to your sketchbook is easier if you set a straightforward goal. Commit to filling every page.
Only show others what you choose or want to share, just because you feel it worked. You don’t have to take photos of your drawings or even show your work to anyone. Try and fail privately, then move to the next page.
Hardback sketchbooks are easier to collect and put on a bookshelf when you’ve completed them. They look handsome. Write a title on the spine with the year and date for your collection if you want. You can look back to see how you’ve grown over the years.
I like how you feel accomplished with a hard sketchbook instead of a soft or ringed one. You get the feeling you’re making something that will last. It’s sturdy and heavy. Like your dedication to art, it’s not easily bent or manipulated.
Picking a few areas to focus on improving, like facial expressions or body poses, can help you know how to begin. Saying you will fill one page up with different people you find from photos on Pinterest will help keep you motivated.
The next page in your book may revolve around drawing ten different hands or making a point to get away from humans and go outside to draw a landscape or urban setting.
It can be fun to get back to basics, then throw it all together. Maybe you decide to combine a mix of everything you’re studying on one page to see how you can compose it all within a small space.
Look honestly at your art. One thing I had to accept is drawing portraits from photos, especially of women, is difficult for me. I need to improve and overcome my fear of drawing attractive women, especially. I can make cute cartoony women just fine, but not beautiful realistic-looking women. Could I do it by using photo references?
Challenge accepted!
Having a hill to get over or a goal to strive for in your sketchbook will help motivate you just enough to start drawing and want to draw more. The joy of seeing what you’ve completed on each page will keep you excited about moving forward.
Why only use pencils and the occasional black pen? Drawing with colored pencils gives life to the page and catches the eye. Painting in the sketchbook with mini watercolors also helps add energy and interest.
You can use a gray brush pen for shadows and Gelly Roll pens for white highlights where needed. When I thumb through my sketchbook, I smile at the color variety and pay more attention to what I created.
Asking questions like, “Did this drawing work well?” “What can I do to draw a nose better?” The color is hard to miss, and my growth areas stand out more.
The softness of colored pencils feels nice while drawing, and it surprised me. I like to use a non-photo blue pencil first when sketching heads to rough out the head shape and eye lines, then add in features starting with the eyes and nose.
Suppose you want the easiest way to begin drawing a face. Starting with the left eye, then the nose, and over to the right eye works well. Down to the mouth or up to the eyebrows next is a good order. Try this out and find what direction works best for you.
The smoothness of colored pencil lines makes for a buttery drawing experience. Of course, the rich color will create a pleasant feeling on the page you’ll enjoy taking in as you look back on your growth.
In conclusion, I want you to know I understand it can be challenging to find time to draw. Let go of needing hours to work on the pages in your sketchbook. Even fifteen minutes at a time will do fine.
Opening up your sketchbook first thing in the morning, looking at a reference photo online, and drawing one portrait, will send a feeling of satisfaction that will last all day.
You drew something. Even one thing is better than nothing.
When you have a day with more time, by all means, draw more. Don’t get hung up on how long. Focus on your accomplishment. You added to your sketchbook, and you’re one step closer to filling it up.
Your art skills are improving.
Take a small sketchbook with you in your bag or back pocket. Sketch on the train, at the park, or in a cafe, even if it’s only for five minutes. You did it.
When you set the intention to draw regularly, use a sketchbook that feels comfortable, and add color and variety, watch how your drawings explode off the page.
Then, make sure to come back and let me know how it’s going.
Happy drawing!
Want more? If you’re struggling with doing original work, click here to join my (free) email list, and through comics, articles about culture, and living your truth, you can upgrade your mindset and share your art with the world.
Illustrations by the author.
Let's make one thing crystal clear. I'm a Batman fan. Unlike most people, I actually read the comics and watch the movies and animated series. In fact, as a comic artist myself, I love drawing Batman.
The only problem? I'm kind of tired of him.
We've had way too many Batman movies, and in just the last ten years, we've had Ben Affleck and Christian Bale play the caped crusader in the films.
Moving aside from Affleck, I loved Bale as Batman in The Dark Knight, Christopher Nolan's second film in his series. Perhaps, you'll agree that it's one of the best Batman movies ever made. Pitting him against Heath Ledger's masterful take on the Joker is legendary.
As much as I love seeing Batman do his thing, I felt we should have had at least 3–5 years without new Batman films after Nolan's run. Give us a break, and build up anticipation for seeing him again.
The Justice League movies pulled Affleck out as a hefty Bruce Wayne, inspired by Frank Miller's Dark Knight, breaking bones and whispering raspy to give us a mediocre Bats performance.
Enough. I was done. Time for a Batman pause, don't you think Hollywood?
Nope. The money is just too good. They had to keep the train moving and announced a new film with Twilight actor Robert Pattinson as The Batman and directed by Matt Reeves—known for the Planet of The Apes films.
What?! Are you kidding me? Pattinson? That skinny, whiny dude? No way I'm watching that one. I guessed Hollywood figured people would spend money on a Batman movie no matter who's playing him.
With Pattinson playing Bruce Wayne, I lost interest. It felt like anyone could play Batman nowadays. If just anyone can fit the role, why not get Channing Tatum or Finn Wolfhard—the kid from Stranger Things. As a Black man, I'd love to see Jaden Smith take on the caped crusader. Heck, let's go ahead and break the ground wide open, dig deeper.
Hint. Hollywood didn't.
So, when The Batman came out, I decided there was no way I would see it.
The trailer of him walking up to a gang with Joker painted faces and beating the crap out of them made him look like a psycho. And a bit silly. The scenes with Detective Gordon looked like they were trying too hard to look dark and gritty.
In my mind, I was okay with missing this one. Plus, the fact that it's three hours long! My issues with these saga-length movies recently were discussed thoroughly in a previous article about how they’re too damn long.
I avoided it the first month it was out. Then, my birthday came up, and I needed something fun to do for myself. As a husband and father, I rarely get out of the house for something only I want to do.
Looking up the reviews of The Batman, I discovered the critics were pretty happy with it overall. They said it was a bit too dark, with no jokes or light moments, but a pretty decent movie.
As a gift to myself, I decided to try the movie. If it sucked, I could write a review on Medium and make it an excuse to get my frustration out through the craft of writing. I am a Batman fan, after all.
I loved it. That’s right, I was hating on it before and was nervous it would be the worst three hours of my life, but surprisingly, I thoroughly enjoyed The Batman.
Yes, it was dark, sad, heavy, and they made Bruce Wayne look like a weirdo, but I like this take on him. If you think about it, a guy running around in a bat suit fighting crime is crazy.
For the first time, they addressed that he’s a billionaire orphan who thinks he has it the worst because his parents were killed. A tragedy to happen to anybody, but he can still live a privileged life. So many people have to go through worse, and it doesn’t drive them to become reclusive vigilantes.
Pitting him against The Riddler was interesting because it allowed us to see more of a detective Batman, still figuring out how the Gotham city underworld works. It’s only two years after Bruce started going out as Bats, so he keeps having to decide who he is and what to do at every turn.
The action scenes were pretty good, but I felt it looked a bit similar to The Dark Knight, but it is Batman, so there are certain things he has to do in the movies. I loved Zoe Kravitz as Catwoman, and her performance brought the whole film together for me, and the world wouldn’t have worked without her.
The cinematography was gorgeous, and it’s a movie I will buy and watch while drawing. I could put it on in the background, mute the sound, and enjoy watching the images as I write and create to keep my energy up.
I went to the restroom once during the film. But all in all, the three hours moved by quickly. They needed the time, and I’m glad they used it. When I was in high school, I dreamed of a dark Batman movie, and my young dream came true with The Batman.
You can’t judge a movie by its trailer. At least not always. I’m pretty good at detecting a stinker from watching the previews, but this surprised me. If you’re a Batman fan and on the fence whether or not to spend the time to see it, I say go.
You can wait until it’s streaming online somewhere, and it will be worth your time. I’m glad I saw it in the theater, though, and it was more dynamic to watch the action scenes on the big screen.
I’m willing to admit I was wrong. The Batman is a good take on a character done to death. The movie showed me how you can still make characters fresh and breathe new life into them.
I’m looking forward to the sequel and where they’ll take Pattinson next.
Want more? If you’re struggling with doing original work, click here to join my (free) email list, and through comics, articles about culture, and living your truth, you can upgrade your mindset and share your art with the world.
Fried Chicken and Sushi is a Blog and humorous comic strip about living in Japan and Japanese pop-culture.
© copyright 2010 - Khalid Birdsong All Rights Reserved.
